My work as a multimedia artist explores the intersection of art, science, and spirit through the lens of emergent systems — where energy, form, and consciousness coalesce into visual language.
Electrography Cellular Automata
At the core of my inquiry lies a fascination with how intelligent systems self-organize, evolve, and remember. I seek to illuminate the hidden architectures of transformation — the patterns through which complexity arises not by replication, but by disruption, reflection, and return.
Historically, symmetry in physics was tied to divine perfection — a Platonic ideal seen as evidence of cosmic order. But with the rise of mechanistic science, these associations were cast aside in favor of objective, time-reversible laws.
Yet contemporary thinkers like Michael Leyton challenge this detachment, proposing that symmetry is not static but generative — an active principle of memory, change, and creative asymmetry.
His concept of symmetry-breaking as a record of history resonates deeply with my own artistic process: the idea that matter holds memory, that disruption is the engine of evolution, and that asymmetry encodes transformation.
Get the Book!
This book draws from systems theory, field dynamics, harmonic symmetry, and biomimicry, it presents a new framework for understanding the world not as static and separate, but as alive, intelligent, and interconnected. Through practical insights and philosophical depth, the book invites readers to live as part of a self-organizing universe—guided by resonance, aligned with nature, and attuned to the subtle field of becoming.
“Attend to what unfolds in silence. What you dismiss as a weed may carry the deepest wisdom. Clarity is born through contrast, and beauty often dwells in what the world forgets to see.”
These ideas find form in the ABBA equation — a symbolic structure I use as a compass for seeing and making. A+ represents the origin; B-, the disruptive force; b-, the emergent trace; and a⁺, the return — altered, expanded, and complexified.
ABBA Equation Cellular Automata
Portfolio
This recursive logic of emergence underpins all my media — from the imprint of light in photography to the branching patterns of electrography and the field-driven behaviors of fluid cells. Each work becomes a temporal snapshot of transformation, where matter and meaning unfold through the push and pull of opposing forces.
Photography is often viewed as a tool for documentation or representation, but it is also a deeply systemic and conceptual medium — one that actively participates in the logic of emergence.
Microscopy is more than a tool of magnification — it is a lens through which we observe the architecture of becoming. By extending the human eye into scales beyond perception, microscopy reveals worlds within worlds.
Electrography is a collaborative process between matter and force — an alchemical act in which electricity becomes the brush, and nature the co-creator. In this medium, high-voltage current is applied to botanical forms or natural materials.
Printmaking is a practice of inversion — a poetic dialogue between positive and negative space, between what is revealed and what is withheld. It is a medium where form is born from absence, where the space around the image holds equal weight to the image itself.
Magnetism is a force we feel, sense, and measure — yet rarely see. In my exploration of emergent phenomena and invisible architectures, I work with Hele-Shaw cells as a medium to visualize the hidden geometries of magnetic fields.
Phi thickenings represent a way of thinking about growth — not as linear accumulation, but as recursively structured emergence. Rooted in the logic of the Golden Ratio (Φ ≈ 1.618), these formations reflect how nature thickens, branches, and unfolds according to a deeper order.
The Light Within is a devotional soundscape inspired by the sacred mystery of divine presence—a flame that never dims, even in the darkest hours. Drawing influence from the atmospheric worship of bands like Elevation Worship, the raw intimacy of United Pursuit, and the cinematic reverence of Explosions in the Sky, this album blends ambient instrumentation with spiritual depth to…
Project Title: WaveLens: Real-Time Video Frequency Spectrum Visualizer Synopsis: WaveLens is a cutting-edge, browser-compatible web application that captures live video from a user’s camera and transforms it into a dynamic frequency spectrum visualization. Merging real-time image processing with frequency analysis, this tool offers an innovative way to explore the hidden vibrational patterns within visual input. The…
In Nuuk, the threshold between land, water, and sky blurred into something both ancient and unfinished. This research trip was not about observation alone—it was about immersion. Every step through the shifting light, every encounter with ice and stone, was a negotiation with presence itself. Nuuk offered more than landscapes; it offered energetic signatures—fields of…
“Tend the flame of your spirit with care. Honor the quiet power of your subtle essence. Survival does not demand brilliance — only presence. Reflect with discernment, and root yourself where your soul can truly grow.”
Whether working with code, sound, or organic materials, I approach each medium as a living system — a dialogue between order and chaos, symmetry and rupture, memory and becoming. My art serves as a meditation on the intelligence of form, the poetics of emergence, and the recursive rhythms that shape both consciousness and cosmos.
In the modern age of technological saturation, we often forget that some of humanity’s earliest tools for influencing reality were neither mechanical nor digital. They were vocal. Across cultures and epochs, ancient peoples turned to chant, incantation, and song—not merely as expressions of emotion or myth, but as precise instruments for shaping the world. From the Norse galdr to Babylonian exorcisms and Egyptian soul-guiding spells, these vocalizations functioned as field activators, engaging the architecture of reality through the harmonic convergence of light, sound, and form.
Across continents and cultures, ancient stories describe how the world—and humanity—was formed. Surprisingly, many of them begin not with thunder or fire, but with something simple and familiar: clay.
In these myths, the divine sculptor—a god, goddess, or creative force—kneels before the earth, wet clay in hand, and begins to shape reality. The image is humble, yet powerful. But what are these stories really telling us? And why does this symbol echo across the globe?
When you look closely at the logos of many global organizations — from the United Nations to UNESCO, from the International Telecommunication Union (ITU) to the World Health Organization (WHO) — a consistent visual motif emerges: the globe overlaid with a grid. At first glance, it’s a simple reference to global connectivity or geographic reach. But symbolically, these world grid icons point toward something much deeper — something that metaphysical systems and Emergent Theory call the Light Grid.
In Emergent Theory, we speak often of coherence. We speak of light, sound, and form—not as separate phenomena, but as a triadic language of reality, woven through every field, every body, every moment. In that language, selenite is a syllable of stillness. A crystal, yes—but more truly, a clarifier.
We’ve long been told the pyramids were tombs—grand burial sites for pharaohs and kings. But what if these iconic structures were never meant to house the dead, but to amplify the living field? Within the lens of Emergent Theory, the pyramids emerge as something far more mysterious and powerful: field resonators, harmonic stabilizers, and architectures of coherence.
In ancient Egypt, lapis lazuli wasn’t just a gemstone—it was a gateway. Deep blue and flecked with golden starlight, this radiant stone was embedded into sacred art, headdresses, statues, and amulets. But why? What did the Egyptians see—or sense—that made lapis so essential?
In my creative and research practice, I use AI as a collaborative tool to enhance vision, accelerate discovery, and unlock new dimensions of expression. Whether generating symbolic imagery, mapping emergent patterns, or analyzing field data, AI supports my work as an extension of intuitive and scientific inquiry. I approach these tools with care—prioritizing originality, ethical use, and alignment with the deeper coherence of the projects they serve
In the modern age of technological saturation, we often forget that some of humanity’s earliest tools for influencing reality were neither mechanical nor digital. They were vocal. Across cultures and epochs, ancient peoples turned to chant, incantation, and song—not merely as expressions of emotion or myth, but as precise instruments for shaping the world. From the Norse galdr to Babylonian exorcisms and Egyptian soul-guiding spells, these vocalizations functioned as field activators, engaging the architecture of reality through the harmonic convergence of light, sound, and form.
Across continents and cultures, ancient stories describe how the world—and humanity—was formed. Surprisingly, many of them begin not with thunder or fire, but with something simple and familiar: clay. In these myths, the divine sculptor—a god, goddess, or creative force—kneels before the earth, wet clay in hand, and begins to shape reality. The image is humble, yet powerful. But what are these stories really telling us? And why does this symbol echo across the globe?
When you look closely at the logos of many global organizations — from the United Nations to UNESCO, from the International Telecommunication Union (ITU) to the World Health Organization (WHO) — a consistent visual motif emerges: the globe overlaid with a grid. At first glance, it’s a simple reference to global connectivity or geographic reach. But symbolically, these world grid icons point toward something much deeper — something that metaphysical systems and Emergent Theory call the Light Grid.
In Emergent Theory, we speak often of coherence. We speak of light, sound, and form—not as separate phenomena, but as a triadic language of reality, woven through every field, every body, every moment. In that language, selenite is a syllable of stillness. A crystal, yes—but more truly, a clarifier.
We’ve long been told the pyramids were tombs—grand burial sites for pharaohs and kings. But what if these iconic structures were never meant to house the dead, but to amplify the living field? Within the lens of Emergent Theory, the pyramids emerge as something far more mysterious and powerful: field resonators, harmonic stabilizers, and architectures of coherence.
In ancient Egypt, lapis lazuli wasn’t just a gemstone—it was a gateway. Deep blue and flecked with golden starlight, this radiant stone was embedded into sacred art, headdresses, statues, and amulets. But why? What did the Egyptians see—or sense—that made lapis so essential?