This project is part of my ongoing exploration into the intersections of weaving, textiles, and printmaking, with an emphasis on how material properties and systems can inform artistic creation.

This collection explores harmonic coherence as a principle of Emergence Theory—the way living systems organize through vibration, frequency, and feedback. When coherence emerges, it does so not by command, but by attunement: a resonance between form and field.

This collection began with a subtle, embodied shift—a kind of awakening that felt more like remembering. While traveling in the tundra of Greenland, two wild herbs revealed themselves not just as subjects, but as messengers: Labrador Tea and Stinkweed (Wild Mustard).

This project is part of my ongoing exploration of weaving, textile art, and printmaking, rooted in a deep investigation of emergent systems and the complex behaviors that govern the natural world.

This is a story told in fragments—through objects once held close, now adrift. A collar resting in a drawer, a plastic container quietly repurposed, a scale no longer measuring ingredients but balance itself.

Arranged Image is a collection of books and prints that explores the photographic tension between naturally occurring patterns and human-imposed order. Captured primarily during my travels, this body of work reflects on how objects—such as plantains—are often encountered in naturally emergent arrangements, shaped by environmental conditions, chance, and subtle, unseen forces.